Ranma- Rumiko Takahashi
Typically I’m not a fan of this style of artwork. However,
in saying that, Ranma was certainly an enjoyable read. The cultural differences
between American comics and manga really aren’t that far apart. Though the
styles are different the layout and compositional elements hold a lot of
similarity for me. I’m definitely a fan of the way space was handled in this
work especially during action scenes and indeed scenes that are a little more
intimate. The idea of arranged marriage is something that is probably unheard
of in this country, however I could relate I that there is a large influence of
Indian tradition in South Africa, who have similar customs to those mentioned
in the story. There are some places where artistic license has been used to its
full extent, by way of the nimble “kung-fu” panda character and sex changing
pools. Though the concepts may seem far-fetched, it is still within reach for
the reader to fill in the blanks and make the story more readable. I really
enjoyed the way that Takahashi created dynamic compositions, full of depth and
movement. The spaces are interesting by way of placement and varied shapes of
the frames.
Buddha – Osamu Tezuka
The story of a boy who is sent south to find a mysterious
man is very intriguing. The story entails the details of the boy’s travels,
including his mother being kidnapped and is threatened to be sold. The style of
this work is very interesting; I do feel that at times there were two distinctive
voices of artwork coming through. One is more stylized and one more
representational and rendered to a further lever. These contrasting styles
create a sort of transition of the work. The usage of space and placement and
shapes of frames is highly effective. This is a very fast moving coming with
plenty of action and that’s the way its intended to be read, in my opinion.
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